| WoO |
Name |
Year |
| 51 |
C major (2 movements, the second compiled by Ries) |
1791-92 |
| 52 |
Bagatelle, C minor |
1797 |
| 53 |
Allegretto, C minor (2 versions) |
1796-98 |
| 54 |
Lustig-traurig, C major and minor |
1790? |
| 55 |
Prelude, F minor |
1786-87? |
| 56 |
Bagatelle, C major |
1803-04 |
| 57 |
Andante, F major (Andante favori). Originally the slow movement of Sonata Opus 53 |
1803-04 |
| 58 |
2 cadenzas for Mozart's Piano Concerto in D minor, K.466 |
c.1809 |
| 59 |
Bagatelle, A minor. Published by Nohl in 1867 with the title Für Elise. Since the original manuscript, which has disappeared, belonged to Therese von Malfatti, it is thought that the title should read Für Therese |
1810 |
| 60 |
Piece, B flat major |
1818 |
| 61 |
Allegretto für Piringer, B minor. Written for the amateur musician Ferdinand Piringer |
1821 |
| 61a |
Piece, G minor. Written for Charles Burney's granddaughter Sarah Burney Payne |
1825 |
| 62 |
---- |
---- |
| 63 |
9 variations, C minor, on a march by Ernst Christoph Dressler |
1782 |
| 64 |
6 variations, F major, on a Swiss air (for piano or harp) |
c.1790 |
| 65 |
24 variations, D major, on the arietta "Venni amore" by Vincenzo Righini (first version lost) |
1790, 1802 |
| 66 |
13 variations, A major, on "Es war einmal ein alter Mann" from Dittersdorf's Das rote Käppchen |
1792 |
| 67 |
8 variations, C major, on a theme by Count Waldstein |
1791-92 |
| 68 |
12 variations, C major, on the "Minuett à la Viganò" from the ballet Le nozze disturbate by Jakob Haibel |
1795 |
| 69 |
9 variations, A major, on "quant'è più bello" from Paisiello's La Molinara |
1795 |
| 70 |
6 variations, G major, on the duet "Nel cor più non mi sento" from Paisiello's La Molinara |
1795 |
| 71 |
12 variations, A major, on a Russian dance from Das Waldmädchen by Paul Wranitzky |
1796 |
| 72 |
8 variations, C major, on the romance "Une fìevre brűlante" from Grétry's Richard Cur de Lion |
1796-97 |
| 73 |
10 variations, B flat major, on "La stessa, la stessissima" from Salieri's Falstaff |
1799 |
| 74 |
Song, "Ich denke dein" (Goethe), with 6 variations |
1799-1804 |
| 75 |
7 variations, F major, on the quartet "Kind, willst du ruhig schlafen" from Das unterbrochene Opferfest by Peter von Winter |
1799 |
| 76 |
6 variations, F major, on the trio "Tändeln und scherzen" from Soliman II by Franz Xaver Süssmayr. In later editions Variation VI was divided into three, making eight in all |
1799 |
| 77 |
6 variations, G major, on an original theme |
1800 |
| 78 |
7 variations, C major, on "God save the king" |
1803 |
| 79 |
5 variations, D major, on "Rule, Britannia" |
1803 |
| 80 |
32 variations, C minor, on an original theme |
1806 |
| 81 |
Allemande, A major |
c.1800 |
| 82 |
Minuet, E flat major |
1785? |
| 83 |
6 Écossaises, E flat major |
1806? |
| 84 |
Waltz, E flat major |
1824 |
| 85 |
Waltz, D major |
1825 |
| 86 |
Écossaise, E flat major |
1825 |
| 87 |
Cantata on the death of the Emperor Joseph II (Averdonk) |
1790 |
| 88 |
Cantata on the accession of Leopold II (Averdonk) |
1790 |
| 89 |
Prüfung des Küssens |
c.1790 |
| 90 |
Mit Mädeln sich vertragen (Goethe) |
c.1790 |
| 91 |
Two arias for Die schöne Schusterin by Ignaz Umlauf, O welch ein Leben! Soll ein Schuh nicht drücken |
1796 |
| 92 |
Primo amore |
c.1800 |
| 92a |
No, non turbati (Metastasio) |
1801-02 |
| 93 |
Nei giorni tuoi felici (Metastasio). Duet |
1802-03 |
| 94 |
Germania, final chorus for Die gute Nachricht by Georg Friedrich Treitschke |
1814 |
| 95 |
Chor auf die verbündeten Fürsten (Bernard) |
1814 |
| 96 |
Leonora Prohaska (Duncker) |
1815 |
| 97 |
Es ist vollbracht, final chorus for Treitschke's Die Ehrenpforten |
1815 |
| 98 |
---- |
---- |
| 99 |
26 Italian duets, trios and quartets (Metastasio) |
1792-c.1802 |
| 100 |
Lob auf den Dicken (Beethoven) |
1801 |
