story & interview Paolo Sedazzari
photos Mike Diver
Like never before, it's a fame-fixated world. But if fame is the ecstasy of the nineties,
then Dennis Pennis is the man with the sniffer dog bellowing THIS IS A RAID into a
megaphone.
Dennis Pennis's appearance at showbiz parties is about as welcome as an outbreak of
botulism in the vol au vents. The celebrities he moves in on often laugh, but look closely
- it is a nervous awkward laugh. We may love celebrities but we also love to see their
discomfort. Pennis is no respector of the hierarchy, quite the reverse. He has aimed his
most cutting quips at the very top of the Hollywood A-list - Tom Hanks. Hugh Grant, Demi
Moore, and his antagonism of Kevin Costner is legendary...We meet the man behind the specs
and the lop-sided smirk - Paul Kaye, and ask him about his background, which in this case
is a lime green photographer's backdrop.
Everyone wants to break into television big-time but so few
make it. So, how did you get here?
: The right
person saw my video tape. Pennis started back in '89 when he was just one of those twatty
characters that you come up with when you're stoned with your mates. I was in a dark
Psychedelic band at the time - into Public Image and Magazine - called We Are Pleb.
What's that. We Are Pleb?
: That's
right - We Are Pleb. I've got a lot of respect for bands with names guaranteeing them
limited success. This TV program called Transmission wanted to interview the band, and
that's how I got my foot in the door.
Paul is 31, a well-spoken, well-mannered London lad. Born
in Dulwich, raised in Wembley, he studied theater design and never outgrew his fixation
with punk rock.
: As a kid
I was big on Lydon/Rotten. Still am. I guess that's evident from the orange hair I used to
be a bedroom punk. Ruffing up my tie on the way home from school. There's a lot of that in
Pennis. But he's also based on Woody Allen. I really love neurotic characters who assume
that you're interested in every detail of their life. I've got a friend like that, who
when you see him for the first time in two month, goes into intricate detail about the
state of his teeth.
Prior to Pennis, did you have any other experience of comedy
performing?
: No! A lot
of stand-up comics must be out there cursing me thinking 'who the fuck is this person?'
That's why I'm convinced that if you got Lily Savage on the job he'd be ten times better
than me.
How did you write your jokes?
:I write
the material with my friend Anthony Hines. I get a lot of the jokes out of the Penguin
joke-book. If anyone buys it they'll find 90% of the last series in there. The way I like
to play it is relentless. If you don't like it there's another one behind it in 0.5 of a
second.
I presume the glasses are for protection? I mean what
celebrity could get away with hitting a man with glasses? Has anyone ever tried to hit
you?
: For sure:
It was always going to be a dangerous job. I also think I get away with it because I look
so vulnerable and have this pissed grin. I almost got seriously
'rapped up', as my dad would say, in Venice. This bouncer was giving it all this Good
Fellas speak, 'Get the fuck out of the way asshole.' Turned out he was a taff doing a
better American accent than me. By the end of three days he wanted to kill me. He told me
he was going to push my teeth so far down my throat they were going to come out of my
arse. I was pretty scared. One night I was doing a link when I tripped over a barrier. I
thought I'd broken a finger so I disappeared into the night to find a tap. I lost the crew
and met up with him in a dark alley. I thought it was going to be curtains. I became this
quivering idiot whimpering something about children's BBC. Luckily for me he turned all
nice on me and we went for a beer. He got quite into what he were doing and even told me
when Kevin Costner was leaving.
Kevin Costner. That's one man who won't be sending Pennis a
christmascard. First there was a disappearing handshake. He was livid about that. Then the
follow-up pun about Costner's precious multi-million baby Waterworld, creating a new genre
of movie, a grade below the B movie
- C movie. That really rubbed the sea-salt in, and Costner was left fuming and ranting,
audible but off camera.
: It felt
fantastic, like victory. I hate him. I couldn't sleep that night thinking, that was Kevin
Costner! I don't hate many people, which is why there could be someone much better for the
job. I often think I'm not vicious enough.When I do hate people it's a lot easier. I
depersonalize them. When I like someone it's never that great. I had real problems with
Tim Roth who I really like, I was like this cocksucker saying, 'Your performance in
Resevoir Dogs was a bloody mess. Yawn!!!
Is there any celebrity you wouldn't do?
: Ian
Wright - When my old man said 'Be an Arsenal fan', I complied. I'm close to religious
about it, which is why I have T-O-N-Y written in biro across my knuckles. It refers, of
course, to the Gunners stalwart centre-back Tony Adams.
Anyone you really would like to put the verbal boot into?
: Bary
Manilow. I missed him by three seconds. I'd worked it all out. I was going to say to him,
'I'm a big Manilow fan, you're the guvnor, I think it's outrageous that you get so much
stick out your nose, people should concentrate on the music. 'Really draw him in, end up
with a handshake and as he walks away pull out this king-size bed-sheet from under my
jacket and say, 'You've dropped your handkerchief.'
Are you worried about Pennis backlash?
: Yes,
that's why I agreed to be flanned earlier today in an advertisement for Anchor butter.
Ofcourse, the money was an incentive as well. In the advertisement I'm flanned by an
eccentric Belgian fellow named Noel Godin who for decades has been flanning dignitaries as
if to say, 'I could have killed him if I wanted to, but I'll flan him instead.' Like
Pennis, only messier. He also loves puns and as a book published called Cream and
Punishment.
Why did you agree to flanning?
: I could
smell Live TV and the Big Breakfast obviously wanting to put a bucket of water over me. I
knew I was going to get whacked eventually. So by doing it to myself today it would defuse
the vigilante in people. That's what scares the shit out of me about being a professional
personality. If the audience goes off Chris Evans, they go off Chris Evans. But if people
start hating Dennis Pennis I can still walk away and be Paul Kaye.
For the benefit of gossip-mongers, he adds, Chris Evans' breath smelt of
condemned meat by the way.
So is Dennis Pennis being laid to rest?
: The
character relies on the fact that he's going to fuck off sharpish. I hope I don't outlive
my welcome. He's got a shelf-life and he feels tired to me. If I do a third series, it's
only because I've got freedom to do something new on modern art or go to New York and
interview people at the deli.
I'm developing other characters with Anthony Hines he is developing other characters. One
that has already had its TV debut on the BBC 2's Very Important Pennis - Strutter, Los
Angeles lawyer. Strutter is based loosely on the Sean Penn character in Carlito's way - I
was watching Los Angeles TV, and 90% of the adverts are financially orientated, all
offering some kind of financial assistance, lawyers literally encouraging you to employ
them to sue people.
On the cab to our respective night-spots of choice, Paul
turns to dictaphone onto me. My own memory chose to delete this sequence and I only become
aware of it when I play the tape back. It's painful to hear: As an interviewee I was as
eloquent as Sid Vicious was on his final interview on a bed with Nancy Spungen. My memory
was considerate enough not to grant me access to any of this.
To my credit I do manage to lob Paul Kaye one final question....Something I'd like you to
clear up with me - a cup of coffee I split earlier. His reply is swift and professional:
"You can fuck right off."
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